CONNECTING TO NEW YORK'S COLLECTIONS
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  • Home
  • About Connecting to Collections
  • Webinars
    • Series 1: Protecting Cultural Collections
    • Series 2: Environmental Monitoring and Control
    • Series 3: Care and Storage of Historic Collections
    • Series 4: Preservation of Digital Collections
    • Series 5: Popular Demand
  • "How-To" Clips
  • Resources
    • Care and Storage of Historic Collections >
      • Books and Paper
      • Photographs
      • Historic Objects, Part 1
      • Historic Objects, Part 2 >
        • Glossary of Storage Materials for Historic Artifacts
        • Painting and Textile Storage Furniture
        • Vendors for Storage Materials
    • Disaster Preparedness Planning
    • Environmental Monitoring and Control
    • Preservation of Digital Collections >
      • Identifying and Selecting Digital Content
      • Storing and Protecting Digital Content
      • Managing and Providing Access to Digital Content
    • Preservation & Conservation Resources for Historic House Museums
    • Preservation & Conservation Organizations
  • Our Partners
  • Contact Us
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Further Reading for Low Tech Storage Solutions: Photographs

  • Albright, Gary. “Emergency salvage of wet photographs.” Preservation Leaflets 3.7. Andover, MA: Northeast Document Conservation Center. 2007.
  • The American Museum of Photography.  Information About Early Photographic Processes and Preserving and Protecting Photographs.
  • Canadian Conservation Institute (CCI). CCI Notes, Section 16, “Care of Photographic Materials”
  • CCAHA. Resources for Photograph Preservation and Salvaging Photographs. Philadelphia, PA: Conservation Center for Art and Historic Artifacts. 1998.
  • Digital Print Preservation Portal
  • Fischer, Monique and Albright, Gary, “Types of Photographs“, Andover, MA: Northeast Document Conservation Center, 2010.
    • --- “A Short Guide to Film Base Photographic Materials: Identification, Care, and Duplication“, Andover, MA: Northeast Document Conservation Center, 2010.
  • George Eastman House, Notes on Photographs – Processes
  • Image Permanence Institute
    • Adelstein, Peter Z. IPI Media Storage Quick Reference: Negatives, Prints, Tapes, CDs & DVDs. Rochester, NY: Image Permanence Institute, Rochester Institute of Technology. 2004.
    • Graphic Atlas, Image Permanence Institute.
    • Image Permanence Institute. A Consumer Guide for the Recovery of Water-Damaged Traditional and Digital Prints. Rochester, NY: Image Permanence Institute, Rochester Institute of Technology. 2007.
    • Reilly, James. Storage Guide for Color Photographic Materials. New York: Image Permanence Institute, University of the State of New York.1998.
    • Reilly, James. IPI Storage Guide for Acetate Film. Rochester, NY: Image Permanence Institute, Rochester Institute of Technology.1993.
    • Rochester Institute of Technology. Image Permanence Institute. A Consumer Guide to Traditional and Digital Print Stability. Rochester, NY: Image Permanence Institute, Rochester Institute of Technology. 2003.
    • Valverde Valdés, María Fernanda, and George Eastman House. “Guide for Identification and Preservation of Negative Collections,“ Photographic Negatives: Nature and Evolution of Processes. Rochester, NY: Advanced Residency Program in Photograph Conservation; Image Permanence Institute. 2003.
  • Lemmen, Barbara. Housing Materials for Photographs: Criteria for Selection. Philadelphia, PA: Conservation Center for Art and Historic Artifacts.             2011.
  • National Archives of Australia (NAA), Handling and Care
  • National Park Service
    • Bennett, Karen and Jessica S. Johnson. “Identification of Film-Base Photographic Materials.” National Park Service Conserve O Grams, Section 14/9, Photographs. 1999.
    • Hunter, John. “Chronology of Photographic Processes.” National Park Service Conserve O Grams, Section 14/3. 1993.
    • National Park Service, Cold Storage.
  • Reilly, James and Constance McCabe. Care and Identification of 19th-Century Photographic Prints. Rochester, NY: Eastman Kodak Company. 1986.
  • Reilly, James M. The Albumen & Salted Paper Book: The history and practice of photographic printing, 1840-1895. Rochester, NY: Light Impressions Corporation. 2007 (1986). Appendix C: Guidelines for the Identification of Albumen and Salted Paper Prints
  • Ritzenthaler, M. L., D. Vogt-O’Connor, et al. Photographs: archival care and management. Chicago, Society of American Archivists. 2006.
  • Robb, Andrew and Fischer, Monique. Guidelines for Care & Identification of Film-Base Photographic Materials. 1993.
  • Roosa, Mark. Care, Handling, and Storage of Photographs. Rev. and updated ed. International Preservation Issues No. 5. The Hague, Netherlands:IFLA-PAC. 2004.
  • Severa, Joan. Dressed for the Photographer: Ordinary Americans and Fashion, 1840-1900 . 1997
  • Weaver, Gawain.  A Guide to Fiber-Base Gelatin Silver Print Condition and Deterioration and http://gawainweaver.com/processID
  • Wilhelm, Henry. The Permanence and Care of Color Photographs: Traditional and Digital Color Prints, Color Negatives, Slides, and Motion Pictures. Knoxville, TN: Preservation Pub Co. 1993. (PDF edition available from Wilhelm Imaging Research website)
  • UV Blocking - Window film articles:
    cool.conservation-us.org/waac/wn/wn32/wn32-1/wn32-104.pdf‎
    cool.conservation-us.org/waac/wn/wn30/wn30-2/wn30-204.pdf‎
  • Dusan Stulik and Art Kaplan.  The Atlas of Analytical Signatures of Photographic Processes.   http://www.getty.edu/conservation/publications_resources/pdf_publications/atlas.html
Resource list created by Donia Conn, Preservation Consultant for Cultural Heritage Organizations - Webinar 3C Presenter
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